CATWOMAN
CATWOMAN #28
“Luckily for us, this issue features the best art the new team has put together since they joined with issue #25, thanks in large part to the spectacular colors by Laurie Kronenberg. I’ll admit that I’m one of those readers who take colors for granted, but in this issue, I couldn’t help but take notice. Just take a look at the cover. And it gets better on the inside. The gloomy reds and the shadowy blues of the key scenes make the action and tension jump off the page. While the brightness of the panels catches the eye, the colors lend a sense of darkness to this gritty storyline. Amazing stuff.”—James Powell
Paperback Reader
CATWOMAN #32
“ …Sean Phillips either ought to draw Catwoman every month or every comic book I read on a monthly basis. Phillips’ art is the best the series has ever had. One of Phillips’ strongest traits as an artist is always to fit his work to the piece and he doesn’t fail with this issue of Catwoman. With regular colorist Laurie Kronenberg, he creates an East End that seeps hope. No one could create art to better complement this story than what Phillips, inker Stefano Gaudiano, and Kronenberg have done.”—Andrew Wickliffe
Paperback Reader
CATWOMAN #37
“Gulacy’s style is on par with everything else he did on the series and Palmiotti’s inks just as captivating as usual. A special shout out should be made to Laurie Kronenberg’s excellent colors as well.”—Robert Taylor
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